I reckon it's that myriad of little compromises as the bureaucracy gets involved in attempting to implement ideas and turn dreams into practice. Not, of course, that the ideas people necessarily have it right either . . . although perhaps they've got more hope than the bureaucrats of making something liveable.
This is only my second article on the city in a decade.
As you can see, I think it needs to be improved . . .
Different mindsets, or
finding a place for the little
people
The clash – when it finally came
– was over live music, but it could have been over any one of so many little
things. It was a very slight spat, over in a couple of seconds; yet the engagement
revealed something very personal about the many different ways we can
experience the world.
Robyn Archer’s the Creative
Director for next year’s centenary of Canberra celebration. Last week she was
moderating a discussion between four journalists for the Walkley Foundation about
the city. It’s customary, of course, to describe Archer with words like
“successful” and “acclaimed” and I’m sure that’s true. But it’s also worth
noting that, although she made her name singing the German cabaret songs of the
’20’s, in recent years her work has turned towards boosterism. She’s directed,
for example, the Adelaide Festival a Melbourne ‘summit’ and numerous other revels
throughout the country. She has a knack of finding what’s good and burnishing
it till it shines.
A journalist does a different
job, reflecting reality instead of creating it. There’s no requirement for reporting
to be consistently negative, we just focus on what people are interested in or
talking about. If a journalist thinks something’s not right or could be better,
it’s their job to point it out and give voice to the marginalised and
dispossessed. They shouldn’t shy away from controversy, it’s all part of
painting the entire picture. And that’s why – when the topic of live music in
Canberra came up – the ABC’s wonderful morning announcer Alex Sloan (herself
usually bubbling over with enthusiastic positivity) mentioned that it was a
pity there aren’t more venues for live music groups. She was merely stating the
obvious.
But Archer wouldn’t allow space
for anything negative – after all, it’s her job to celebrate. She rapidly
countered that the Polish Club at Weston Creek does have bands on Friday:
seemingly unaware that by saying this she was, in essence, proving Sloan’s
point. And it’s true, for example, that if you’re prepared to make a round-trip
of 50 to 100 kilometres you can probably find quite a lot going on. That’s not
the issue. The question is, ‘could it be done better’ and, if so, how?
As moderator, Archer didn’t make
the same mistake twice. She reigned in the panel posing uncontroversial
questions such as, “what do you like most about Canberra?” And yes, Paul Daley,
the author of the brilliantly elegiac book “Canberra”, really does love (who
wouldn’t) the early morning walk up Red Hill with his sloppy black Labrador.
And the incisive wit of cartoonist Geoff Prior (arborist Lindsay’s son)
recollected a time, in the middle of the cold war, when it was still possible
for Telopea Park schoolkids to wander in to the Soviet Embassy across the
street and receive wonderful leather-bound panegyrics of praise for communism. I
was too busy laughing along with Jack Waterford to remember in any detail what
he contributed. Nevertheless, nobody could extol Canberra’s booming Weimar-like
cabaret scene, for example, not even Archer. Nor did anyone refer to a thriving
coffee-shop culture of debate and ideas, because there isn’t one. This city is
marvellous, but it’s established on a barren foundation rather than providing a
thriving forum for civic life. It’s designed around the great institutions of
nationhood – all very fine and imposing. But where’s the room for the rest of
us, the little people?
This question takes me back to
the past too; to a time when it was possible to just wander up and over
Parliament House without having to pass through barriers and scanners. That’s
not possible today, supposedly for security reasons. Personally, I can’t help
feeling that some junior bureaucrat’s embarrassment after arriving at work only
to find a massive Green banner had been draped from the flagpole probably has
had much more to do with the intensified security measures than any genuine
fear the place is a terrorist target. And this is all part of what I detest
about Canberra. Faceless authorities determining what can and can’t be done.
The way the opportunity to make decisions is removed from the individual and
invested in the bureaucracy. At first these measures might appear good, but
soon a creeping authoritarian streak emerges to batter down any possibility of
expressing personality. Such as in the androgynous parliament. Here it’s not
even possible to even use blutack to stick a poster to the walls. Everything is
preserved for the next occupant. Fine in theory, the regulation enforces sterility.
Soon this colonises the mind. Who’s ever been inspired sitting in blank-white
rooms adorned only with “approved” artwork? Not Leonardo, certainly.
This tendency to barrenness strides
over the cut-out cardboard suburbs, each with their designated pharmacy/newsagency/supermarket
but none with enough vibrancy to allow you to live your life in such “villages”
without daily resorting to your car. Canberra is ten times less densely settled
than Sydney or Melbourne, there’s no reliable public transport, yet our government
seems constantly surprised when the one-lane highways instantly fill-up and
require extension.
The bungalow housing once was
decreed ‘appropriate’ for civil service families no longer provides an answer
to our changing social dynamic. Nevertheless, as individuals at least we can
extend and renovate: the buildings we live in can be made to change. The
suburbs, government bureaucracies and regulations are, it appears, another
matter.
It took Parliament nine ballots
before deciding by a narrow margin (39 to 33) to make this the site of the new
capital. Personally, I wish they’d chosen Eden, or somewhere by the water.
Since its early days the city has remained crippled by continual in-fighting
between bureaucrats and visionaries, all hobbled by their insistence that they
are the only people who can be trusted to understand, order and regulate our
houses; schools; roads and lives: the very structures that frame our existence.
Yes, I’ll be happy to celebrate the city’s centenary next year, but I’d be even
more thrilled if something could be done to improve it further. Wonderful
though it is it could be far better.
Bah, humbug!
In the decades ahead and well before 2100, with climate chnage bearing down on Australia, Canberra will not be sustainable and will need to be abandoned. Bureaucratic squabbling will then become redundant
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